Random Thoughts on Death and Men

Hearing of the death of Elizabeth Edwards yesterday reminded me of my favourite story from Melissa Banks’ first collection, The Girl’s Guide to Hunting and Fishing, about the continuing adventures of Jane Rosenal. Melissa Banks is a much underappreciated and underestimated writer by the way (and yes, I know she is very popular, but she deserves much more attention than she already receives), in that way women who write about love are never taken seriously as authors.

Anyway, my favourite story is the second last one in the book, “You Could be Anyone.” It marks a shift in tone from the rest of collection, both because it is written in the second person, and because it tells the story of how Jane discovers she has breast cancer while she is dating not the right man. The relationship ends, and radiation treatments begin. Jane sees a therapist.

It was easier when the menace came from the outside, you tell a therapist; she nods, neither agreeing nor disagreeing. Thursday after Thursday, you tell her about your relationship with him. You talk and talk, waiting for the cure. After a while, though, it occurs to you that even a perfect understanding of failed love is the booby prize.

NaNoWriMo Recap

Well, I didn’t “win,” in the sense that I didn’t write 50,000 words. I was doing very well, getting about 2,000 words a day, and was ahead of schedule but then, as I knew I would be, I was derailed by a visit from my mother, Thanksgiving, and, above all, a deadline on an article that was due on November 30th. But I did get 35,677 words, and I am thrilled with that.

So what did I learn? I learned that I can write academic prose and fiction in the same month, though not at the same time. It doesn’t matter if I have “free time” to write the other in while I am writing the first. If my headspace is occupied with one project, it can’t divide itself in two for another.

I have a good seven chapters begun on the new novel, and I feel like it is solid stuff. Many of the things I learned were things relearned from previous NaNos. Writing 2 000 words per day does not mean you have to sacrifice quality. It does mean your story will live in your head 24-7 and will generate connections and developments seemingly without your involvement. That is always fun. Characters will grow before your eyes.

I think I do my best writing under this regime. I think 2,000/day is too much for me to sustain for longer than a month, every day with no break. But I know that when i get in a rhythm of writing, say 1,000 a day, the work stays fresh.

I already can’t wait for next year.

NaNoWriMo

Or National Novel Writing Month for the uninitiated. And yes, it should be International Novel Writing Month, but InaNoWriMo sounds a little — inane. Anyway, with November 1st upon us, it is that time of year again. Time to put aside knitting, novels, and house cleaning in favour of writing 50,000 words of a novel in one month. That’s 1667 words a day, for those who are counting. I’ve got 500 words so far, thanks to a meeting I didn’t realize was scheduled for next week, rather than for today, but I thought I’d take a brief break (blog word counts not included in total, alas) to share the madness with all of you.

I’ve been doing this since 2005, with more, or mostly less, success. The first year I cracked 50,000, and the second year I finished a novel. Since then, other deadlines have got in the way and though the discipline of the month got me moving, I wasn’t able to go full out. That’s not the case this month. I’m beginning a new project one I am really excited about — medieval historical fiction as usual, but with a great fantasy twist — and the discipline of daily writing will be perfect for starting me on my way.
Good luck to all fellow WriMos!

Book Sale, 2010

Book Sale 2010

Another year, another Hyde Park Used Book Sale. This was my haul (click the photo to see titles). I’m pretty excited abut it. Two Mary Stewarts that I have never read before? Is that possible? A bunch of Alice Hoffmans. A few for my son. And many others that I have been curious about, and have wanted to check out for a while. All to benefit the local Neighbourhood* Club, which does so much good work. Combined with lovely out of town guests and a turkey for (Canadian) Thanksgiving, it made for a wonderful weekend.

*I guess they’d call it a Neighborhood Club here.

Judith Merkle Riley dies at 68

I was very sad to learn this morning of the death of Judith Merkle Riley from ovarian cancer. When her A Vision of Light, about an unusual medieval mystic in the tradition of Margery Kempe, came out in 1989, it was a groundbreaking work, fitting an imagined character into a convincing and well-realized medieval setting. The last of her books I read was The Oracle Glass, about poisoners and witchcraft in seventeenth-century France. Like her first book its main charm was the compelling character of her female lead.

Here is her obituary in the Los Angeles Times. Sixty-eight is much too young.

An Interview with Alison Pick

I am very excited today to be able to bring you an interview with my very own cousin, Alison Pick, about her most recent novel, Far to Go, published just recently by House of Anansi Press. It can be ordered from Canada, and will be released in the States by Harper Perennial in summer, 2011. Don’t sorry, I will be reminding you when it comes out in the States! Far to Go, inspired in part by the lives of my grandparents and my father, is the story of one Jewish family’s experiences during the lead-up to the Nazi occupation in 1939 in Czechoslovakia. Paul and Annaliese Bauer are affluent, secular Jews whose lives are turned upside down by the arrival of the German forces. Desperate to save themselves, they manage to secure a place for their six-year-old son, Pepik, on a Kindertransport to England. Far to Go is also the story of how what happened to the Bauers is remembered by those who survived, and the stories that are told about them.

The events of 1938 and 1939 unfold through the eyes of Marta, the governess, a woman uncertain of her own origins.  Why did you decide to make her the viewpoint character?

Good question. Truthfully I can almost never remember why I did anything in a particular way, beyond the fact that it felt intuitively right. But the idea of an unreliable narrator was appealing. I often turn to Jack Hodgins’ ‘A Passion for Narrative,’ – my novelists’ bible – and I think it was his suggestion to view the main characters, in my case Pavel and Anneliese, through outside eyes. That said, through the process of writing Marta grew to become a main character herself. She is a liminal character, not Jewish but close with Jews (and, as you point out, unsure of her origins, so with the possibility of being one); not the mother of a child sent away but close enough to understand a mother’s perspective. She is both on the Bauers’ side and, if only accidentally, against them. I wanted this tension to work in concert with the plot so the reader wouldn’t be certain what they could trust. The desire to keep reading would be to discover how the story turns out but also how Marta—who is still young and naïve—resolves as a person.
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