LUCY PICK BOOKS

I am breaking my long blog silence (permanently — there will be many more posts in the next few days and weeks) for a very good cause, to celebrate the release today of Sheramy Bundrick’s debut novel, Sunflowers, published by Avon, about the story of Vincent van Gogh. I met Sheramy at the Historical Novel Society conference in June, and have been eagerly awaiting for this release.

You can go here to enter a contest to win a copy of Sheramy’s book. Julianne has a review of the novel up there on her site today as well.

I have to laugh at the status-consciousness of some (very few) of the people in my field sometimes. For the four or five of us who haven’t figured this out yet, fifteen minutes away from the Medieval Academy Meeting, to paraphrase Pierre Trudeau, you could be the most published, beloved, reprinted, honorary degreed, endowed medieval historian in the world, and nobody will know your name.

What I didn’t realize until this week, was that much the same can be true in the fiction publishing world. I met Diana Gabaldon on the weekend, and I have spent much of the week trying to impress my friends with the coolness of this and being met with “Who’s she?” or “I *think* I’ve heard that name.” And this is from people who read, and who read fiction at that. It goes to show that you can be a New York Times best-selling writer whose books normally make that list with a publishing career that has spanned decades, and still people will say, “Ummm…”

Anyway, I met Diana Gabaldon on the weekend, and she was lovely. Friendly and warm, and not in a “I will tolerate you while you gush all over me” way, but in an “I will join you and your friends on the couch and we can talk about how to write sex scenes” kind of way. Very impressive.

I spent last weekend in Schaumburg at the Historical Novel Society conference meeting old friends and new, and thinking hard about what it takes to write a compelling historical novel. I was going to write a full post about the conference but all my procrastination has meant that Julianne Douglas got there before me, and I must concur with everything she said. She even went to most of the panels I attended, so go on over there if you want to see what I thought!

Spotted today in Publisher’s Marketplace:

Alison Pick’s THURSDAY’S CHILD, a story about love, hope and betrayal within an affluent Jewish family in Prague during the lead-up to Hitler’s invasion of Czechoslovakia, to Lynn Henry of House of Anansi, in a pre-empt, by Anne McDermid Associates.

That’s my cousin! Check out her website in my links. I’ve read this novel and it is wonderful. There are many novels about the war and the Holocaust, but this one is very different, about a place and a moment that is seldom described. To me, she gets the feel of Czechoslovakia as it fell to Hitler absolutely perfectly and the story is gripping and beautifully written. Her publisher is going to be very happy they picked up this book.

Maybe I’ll do a blog interview of Alison when her book is released. Hmm. *plots*

Amy Kelly’s engaging and evocative biography of Eleanor of Aquitaine, Eleanor of Aquitaine and the Four Kings says about Eleanor’s participation in the Second Crusade, citing Michaud’s History of the Crusades as her source:

With the queen came “many other ladies of quality,” Sybille , Countess of Flanders, whose half brother was King of Jerusalem, Mamille of Roucy, Florine of Bourgogne, Torqueri of Bouillon, Faydide of Toulouse, and scores of others whom the chroniclers could not afford the parchment to enumerate.

Do a google search for a few of those names. Go ahead, I’ll wait. You’ll find that scores of other writers, both in published non-fiction and fiction, as well as web-based sources have taken those words as gospel truth and have published that list of names almost word for word — Allison Weir, Norman Cantor, Antonia Fraser, etc.
Problem. Not one name on that list actually accompanied Eleanor to the Holy Land — and as it happens, Michaud mentions none of them. Let’s take a look at them one by one:

• Sybille of Anjou, countess of Flanders: She did eventually make it to the Holy Land, travelling with her husband on his third pilgrimage there, at which point she refused to return home and spent the rest of her days as a nun in the convent of Bethany. But during the Second Crusade she stayed in Flanders to run the county, leaving her husband to go to Jerusalem alone.
• Mamille of Roucy: Died around 1122.  The Second Crusade began in 1147
• Florine of Bourgogne: There is a Florine of Bourgogne who was married to Prince Sweyn of Denmark and apparently they both went on the First Crusade where both of them died in 1097.  One source suggests she remarried and died in the Holy Land in 1102.
• Faydide of Toulouse:  She, at first, seemed the most promising because her husband, Alfonso Jordan of Toulouse did go on the Second Crusade.  But it seems Faydide died long enough before the crusade that Alfonso was able to marry and then separate from Ermengard of Narbonne before he left for the east.
• Torqueri of Bouillon:  Not only can I find no evidence of anyone of this name, “Torqueri” does not even seem to be a woman’s name.  Or a man’s name.

So, frankly, shame on all these authors for simply accepting Kelly’s words as fact, especially the ones who claim to be writing non-fiction. But the lie has been repeated so many times, it has become a commonplace. Faced with that, what does the historical novelist do? Work the myth into the story — or change it?

Julianne Douglas is seeking some help with market research, and I’d like to know the answer too. She wants to know what makes people choose to buy the historical novels that they buy.  Which factor plays the biggest role in causing you to part with your dollars to buy a historical novel written by a new author?

• Is it a pretty cover and convincing author’s blurbs?
• Is it the presence of a “marquee name”, that is, a famous historical figure as its subject?
• Is it an intriguing setting or time period?
• Or is it the promise of a gripping plot?

Hop on over to her blog and answer the poll question on the top right hand side. And if you can’t decide (or even if you can) and want to comment about these or other reasons for buying a book, I’d love to read your comments, either here or over there.

I’m posting this here because I know I have many non-novelists but fervent readers who read this blog. I would love to learn your views.

Thanks!

Can I create a meme? Let’s see. As you can see from my last post but one, there has been talk all over the internet about buying books as presents this Christmas. But what books to buy? I thought it would be fun to list ten books I read this year and describe why I liked them to give other people inspiration about things they may not have read. The only thing is, I realized that I have already written about many of the new books I loved this year. I picked ten books I hadn’t written too much about, just to make it interesting, but some of my favourites have already been reviewed. So check out the archives too for ideas.

And I tag — EVERYONE! List ten of your favourite new books in your blog or in the comments (or however many you can come up with). They don’t have to be new this year, just new to you this year. Here are mine:

Anthony Powell, Dance to the Music of Time. This is a link to the first of four volumes in this monumental series. I can’t beieve I had never read this before. Perfect for people who like novels about decayed upper classes in England between the wars.

Sarah Dunant, The Birth of Venus I liked this almost as much as In the Company of the Courtesan. About painters in Renaissance Florence in the time of Savonarola, if you like juicy but realistic historical fiction, this is for you.

Rebecca Stott, Ghostwalk. Nicely spooky, this blends animal rights activism with Isaac Newton and makes perfect sense.

Charles de Lint, Memory and Dream. Have I ever put up a list of books that didn’t have a de Lint book on it? This is another novel about an artist that threads together past and present perfectly.

Guy Gavriel Kay, Ysabel. Photography, magic, myth, Gauls and Romans, this is perfect or fantasy-loving adolescent. Or a fantasy-loving adult.

Gail Godwin, Father Melancholy’s Daughter. I love all her books, but I am especially partial to novels about angsty Anglicans and this is a perfect example of that genre.

Mohja Kahf, The Girl in the Tangerine Scarf. A novel about growing up Muslim in Indiana, beautifully written and rich with the textures and varieties of religious life.

Barbara Kingsolver, The Bean Trees. One of the good things about this book for the would-be writer is that it is wonderful, like all of hers, but it was her first published novel and you can see how she improved in her later work. It is encouraging.

Shirley Hazzard, The Great Fire. This is romance novel set in Japan, Hong Kong, and New Zealand in the aftermath of World War II. No, not a love story, a real romance novel. See for yourself. Who says literary fiction and romance are incompatible? Not me.

Steven Brust, Brokedown Palace. A fairy tale with all the requisite elements set in a magical, strange not-quite-but-almost-Hungary.

Okay, that’s ten. Now it’s your turn. Spread, little meme, and prosper, and may the authors you introduce prosper likewise!

My books, let me show you them (click for a bigger view). This weekend was the annual used book sale in my neighbourhood, and I scored big. Every single one of these books for…$36.
I do feel a bit guilty whenever I buy used books because I know the author isn’t benefitting from my purchase. But I look at it this way: I buy all kinds of books at this sale cheap, on a whim, and this introduces me to new authors I would never explore otherwise. An author I read in a used book one year may become an author I buy new in hardcover the next.
Besides, the vast majority of what I buy looks like it has been read once, if at all. By providing a secondary market for people who don’t like to keep the books they buy once they have read them (I do not understand these people, but anyway), I help free up all kinds of shelf space for them to buy new books. My hunch is that the more people reading books from any source — a shiny bookstore, a used book sale, or the library — the more authors will benefit in the end.

Just got back last night after ten days at the cottage in the Eastern Townships with a side trip involving a night in Montreal and a weekend in Quebec City. Much good food was eaten and conviviality shared, but what struck me was the potential for good historical fiction about this whole area.

There is an old and noble tradition of historical writing about French Canada during the ancien regime and the British colonies to the south, including the war of Independence — I’m thinking of authors like Thomas Costain, Thomas Raddall, and Kenneth Roberts. But when I say old, I mean old. Surely we are due for some reinterpretations. I thought of my friend with Renaissance and Early modern interests as I strolled the streets of old Quebec, still intact within its original walls, and couldn’t help feeling that this town in its restored beauty might provide as strong a sense of how the French lived in the seventeenth and eighteenth centuries as any in France.

The photo at left is from Old Montreal, and it shows the “sailor’s church,” Notre Dame de Bon Secours (immortalized by Leonard Cohen as “Our Lady of the Harbour”) with the silvered dome of the Marche de Bonsecours in the background.

Aw shucks, it’s my first internet meme. It seems reading habit discussions are going around the internet these days. I got this from Teresa and there was a great post this morning on BookEnds on childhood reading. I’d love to hear your answers, either in the comments, or on your own blog.

Do you remember how you developed a love for reading?

I don’t remember a time when I couldn’t read, but I do remember that the first chapter book I read was Enid Blyton’s Five go to Kirrin island.  I also remember being in grade one and trying to go to the section in the library where I could find Charlie and the Chocolate Factory, and the librarian gently but firmly steering me back to the picture book section.  Being read to as a child was crucially important.

What are some of the books you read as a child?

Do you have a few hours?  I would typically bring ten to twelve books home a week from the library. Favourites, at different ages, were Enid Blyton, L.M. Montgomery, Arthur Ransome, Laura Inglis Wilder, Edward Eager, E.M. Nesbit, Elizabeth Enright, Eloise Jarvis McGraw (Greensleeves - I still reread this one), Grace Richardson (Apples Every Day - this one too), Noel Streatfield, Mara Kay, Maud Hart Lovelace, Joan Aiken, Alison Uttley, Rosemary Sutcliff, etc. etc.  I also started exploring the adult section at a fairly young age, and discovered Jean Plaidy and Victoria Holt (who were, of course, the same person).

What is your favourite genre?

I’m eclectic — I’ll read the best books in any genre.  Literary fiction and historical fiction, especially about times and places I don’t know much about, are old favourites.  Mysteries/thrillers and fantasy are more recent loves.  I haven’t read much SF (does William Gibson count?) but I expect I’ll get to it some day.

Do you have a favourite novel?

Every time I reread Doris Lessing’s Golden Notebook, Carol Shields’ Republic of Love, and Tolkien’s Lord of the Rings I get something completely different out of them.  So they would be god desert island candidates.

Where do you usually read?

On my bed.

When do you usually read?

In the evening,

Do you usually have more than one book you are reading at a time?

Not happily.  If I do, it means that I wasn’t enjoying my first book and I’ll probably never go back to it.  So I suppose technically, I have one book that I’m reading and another I think I should be reading.

Do you read nonfiction in a different way or place than you read fiction?

I read cookbooks like I read novels.  I read other non fiction for research purposes, so I am usually taking notes.

Do you buy most of the books you read, or borrow them, or check them out of the library?

I buy them, used and new.

Do you keep most of the books you buy? If not, what do you do with them?

I try to cull them periodically and I usually end up donating a bag or two to a book sale.  But since much more than a bag or two of books enters my house every year, there is a problem here.

If you have children, what are some of the favourite books you have shared with them? Were they some of the same ones you read as a child?

It has been fascinating rereading old books to my son and seeing which hold up and which don’t.  Madeleine L’Engle, Susan Cooper, Arthur Ransome, and The Phantom Tollbooth were as good as they ever were.  All my Narnia book preferences had changed.  Some old friends were not as good on rereading.  

What are you reading now?

I’m in the middle of an old Elizabeth Peters, The Camelot Caper.  Good fun.

Do you keep a TBR (to be read) list?

A TBR stack on the top of one bookshelf.

What’s next?

Not sure, but I just bought my very first book by Lois McMaster Bujold, Paladin of Souls, so that may be it.

What books would you like to reread?

I reread books often, which is why I keep most of the books I buy.  I suspect the book I have read the most often is L.M. Montgomery’s Rilla of Ingeside.  If it’s not that one, it is definitely one of hers.

Who are your favourite authors?

In no particular order, Laurie Colwin, Margaret Elphinstone, Dorothy Dunnett, Carol Shields, Mary Wesley, Margaret Drabble, A.S. Byatt, Doris Lessing, Charles de Lint, Elizabeth George, Dorothy Sayers, J.R.R. Tolkien, Angela Thirkell, P.D. James, Sarah Caudwell, Cecelia Holland, Pamela Dean, Vera Brittain, Garth Nix, Gail Godwin, Connie Willis, Susan Howatch, Susan Isaacs, Melissa Banks and I should probably shut up now because I could go on forever but there was probably something else you planned to do today.