Archive for the 'writing' Category

Jun 04 2008

Tournament

Published by lucypick under history, writing

I’m trying to write a scene about a tournament and it’s a bit of a stretch for me.  That was an understatement.  I tend to skim battle and fight scenes in books, and glaze over in the movie theatre, and now I find myself having to come up with something more interesting than “He hit him with his sword and then the other guy struck back and then…”

So while I’m procrastinating, I will offer you this interesting factoid I just learned.  Did you know that our word “tournament” comes from the fact that, after the two jousting knight had made their initial charges towards each other on horseback, they had to quickly turn around, the “tournament,” to face each other and charge again?  Imagine the challenge of halting the momentum of a galloping horse, heavy with armor-laden rider, and turning the animal in the opposite direction.  The one who could do this with the most speed and skill had a definite advantage.

6 responses so far

May 21 2008

Point of View

Published by lucypick under books, historical fiction, writing

Before I started writing, point of view was only something I’d ever identified in grade eleven English class.  I’m a voracious reader of fiction, but it never crossed my mind that a book might be written in first person, third person, objective, omniscient, close, limited, whatever.  And I had no awareness of a preference for what I liked to read best — though in retrospect I realize most of my favourite books are either in third limited or omniscient.  Indeed, I was well into the first draft of my book before I realized it was something I might want to pay more attention to (No, Lucy, third limited salted with omniscient for flavour and head hopping when you get lazy is *not* usually an effective style).

Now, I angst over it.  Will readers care about my heroine if they only encounter her in the third person?  Will they be bored of her yapping half way through if I tell the tale in first? Do I have a strong enough narrative voice to write omniscient?  Will I get everything in if I stay limited?

And if any of these terms confuse you, Dear Reader (note rarely attempted second person POV),  and you want to know what I am talking about, I highly recommend Ursula LeGuin’s Steering the Craft on this question and so many more relating to questions of more advanced writing style and technique.

3 responses so far